Device for recording pictures and sound on cassettes or spools of magnetic tape. It was first launched commercially in 1956 for the television broadcasting industry, but during the late 1970s cheaper models were developed for home use, to record broadcast programmes for future viewing and to view rented or owned video cassettes of commercial films. Cassette recorders were replaced by digital recorders, including DVDs and TiVo, during the early 2000s.
Video recording works in the same way as audio tape recording: the picture information is stored as a line of varying magnetism, or track, on a plastic tape covered with magnetic material. The main difficulty – the huge amount of information needed to reproduce a picture – is overcome by arranging the video track diagonally across the tape. During recording, the tape is wrapped around a drum in a spiral fashion. The recording head rotates inside the drum. The combination of the forward motion of the tape and the rotation of the head produces a diagonal track. The audio signal accompanying the video signal is recorded as a separate track along the edge of the tape.
Two video cassette systems were introduced to the mass market by Japanese firms in the 1970s. The Sony Betamax was technically superior, but Matsushita's VHS had larger marketing resources behind it and after some years became the sole system on the market.
The trade name for Sony's ½“ Betamax (Beta) consumer-grade analog video system developed for the consumer market. VHM eventually lost out to VHS as
Subject: cinema and film Area: USA The home video cassette recorder is introduced into the US market, with two incompatible models. The Japanese el
1. Audiovisual materials recorded on video formats that a consumer can purchase or rent for viewing at home, such as VHS, VCD, or DVD. ➣ mod. 2. Rel