Topic Page: Riefenstahl, Leni
(Berta Helene Amalie Riefenstahl)(lā'nē rē'fӘnshtäl´´, bĕr'tӘ hālā'nӘ ämäl'yӘ), 1902–2003, German filmmaker, b. Berlin. First a dancer, then an actress, she began directing her own films in 1932. Her Triumph of the Will (1935) documented a huge Nazi rally at Nuremberg using such innovative techniques as moving cameras, telephoto lenses, and unusual camera angles to produce startling black-and-white footage with wide panoramas and striking closeups, thus dramatizing and glamorizing the ritualistic political event. The film brought her widespread attention as well as Hitler's favor and friendship, and she was commissioned to film the 1936 Berlin Olympics (Olympia, 1938). The latter film has been hailed for its lyrical technique. Riefenstahl has sometimes been praised as a visionary and a technically pioneering filmmaker. She also, however, has been condemned as a Nazi propagandist, and her 1930s work has been regarded as inseparable from the propaganda purposes for which they were made. Riefenstahl's connections with the Nazis led to her being blacklisted after 1945. Her later film and photographic work includes underwater pictures and studies of Africa.
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Full text Article Riefenstahl, Leni (1902)
I am fascinated by what is beautiful, strong, healthy, by what is living. —Interview, Cahiers du Cinéma , 1965 ...
Full text Article Riefenstahl, Leni (Helene Bertha Amalie Riefenstahl) (1902-2003)
German, born in Berlin. She studied fine art and ballet, and was a professional dancer before making her film debut in Der Heilige Berg ...
Full text Article Riefenstahl, Leni (1902 - )
During the 1930s she produced propaganda films for the Nazis, notably Triumph of the Will (1935), glorifying the Nuremberg...