He was born in Salisbury, Wiltshire, the son of a retainer of the Earl of Pembroke. After leaving Oxford without a degree he became a playwright and was associated with Philip Henslowe, who died in 1616. In later years he wrote many plays on his own, but much of his work was done in collaboration with others, particularly John Fletcher. Probably the earliest of Massinger's extant plays is The Unnatural Combat, printed in 1639. The first in order of publication is The Virgin Martyr (1622), partly written by Thomas Dekker. In 1623 The Duke of Milan was published, a fine tragedy, but too rhetorical. Other plays include The Great Duke of Florence (1627) and The Emperor of the East (1631). Nathan Field joined Massinger in writing The Fatal Dowry (1632). The City Madam (licensed 1632), and A New Way to Pay Old Debts (1633), are Massinger's most masterly comedies - brilliant satirical studies, though without warmth or geniality. It is difficult to assess his contribution to the plays which appeared under the names of Francis Beaumont and Fletcher.
The playwright Philip Massinger (1583–1640) is studied and performed only rarely today, but in his own time he was a major figure on the London theat
The son of Arthur Massinger, who was confidential secretary to Henry Herbert, second Earl of Pembroke, Massinger attended...
His father was in the service of the great Herbert family. He left Oxford University without a degree in 1607. He has been...