1772–1834, English poet and man of letters, b. Ottery St. Mary, Devonshire; one of the most brilliant, versatile, and influential figures in the English romantic movement.
Coleridge's daughter, Sara Coleridge, 1802–52, has literary standing in her own right. Her translation of An Account of the Abipones (1822) shows a great facility in both Latin and English. Her best work is Phantasmion (1837), a fairy tale.
- See her Memoir and Letters (1873, repr. 1974).
- biography by E. L. Griggs (1941, repr. 1973).
The son of a clergyman, Coleridge was a precocious, dreamy child. He attended Christ's Hospital school in London and was already formidably erudite upon entering Cambridge in 1791. His erratic university career was interrupted by his impulsive enlistment in the dragoons, from which his brothers managed to extricate him. In 1794 he met the poet Robert Southey, who shared his political and social idealism, and together they planned to establish a small utopian community, which they called a pantisocracy, on the banks of the Susquehanna River in the United States. The plan failed to materialize for practical reasons. In 1795 Coleridge married Sarah Fricker, the sister of Southey's fiancée, with whom he was never happy. They settled in Nether Stowey in 1797, and shortly thereafter William Wordsworth and his sister Dorothy moved into a house nearby.
Although Coleridge had been busy and productive, publishing both poetry and much topical prose, it was not until his friendship with Wordsworth that he wrote his best poems. In 1798 Coleridge and Wordsworth jointly published the volume Lyrical Ballads, whose poems and preface made it a seminal work and manifesto of the romantic movement in English literature.
Coleridge's main contribution to the volume was the haunting, dreamlike ballad "The Rime of the Ancient Mariner." This long poem, as well as "Kubla Khan" and "Christabel," written during the same period, are Coleridge's best-known works. All three make use of exotic images and supernatural themes. "Dejection: An Ode," published in 1802, was the last of Coleridge's great poems. It shows the influence of (or affinity to) some poetic ideas of Wordsworth, notably the meditation upon self, nature, and the relationships among emotion, sense experience, and understanding. His Confessions of an Enquiring Spirit (ed. by his nephew H. N. Coleridge) was published posthumously in 1840.
While an undergraduate Coleridge had begun to take laudanum (an opium derivative then legal and widely used) for his ailments, and he was addicted by about 1800. That year, after having traveled with Wordsworth in Germany, Coleridge moved with his family to Keswick in the Lake District. He continued his studies and writings on philosophy, religion, contemporary affairs, and literature. In 1808 he separated from his wife permanently, and from 1816 until his death he lived in London at the home of Dr. James Gilman, who brought his opium habit under control.
Coleridge worked for many years on his Biographia Literaria (1817), containing accounts of his literary life and critical essays on philosophical and literary subjects. It presents Coleridge's theories of the creative imagination, but its debt to other writers, notably the German idealist philosophers, is often so heavy that the line between legitimate borrowing and plagiarism becomes blurred. This borrowing tendency, evident also in some of his poetry, together with Coleridge's notorious inability to finish projects—and his proposal of impractical ones—made him a problematic figure.
Coleridge's lifelong friend Charles Lamb called him a "damaged archangel." Indeed, 20th-century editorial scholarship has unearthed additional evidence of plagiarism; thus, Coleridge is still a controversial figure. However, the originality and beauty of his best poetry and his enormous influence on the intellectual and aesthetic life of his time is unquestioned. He was reputedly a brilliant conversationalist, and his lectures on Shakespeare remain among the most important statements in literary criticism.
- See his collected letters, ed. by E. L. Griggs (6 vol., 1956–71).
- Notebooks: 1794–1808, ed. by K. Coburn (4 vol., 1957–61).
- collected works, ed. by K. Coburn (5 vol., 1969–72).
- biographies by E. K. Chambers (1938), L. Hanson (1938, repr. 1962), W. J. Bate (1968), and R. Holmes (2 vol., 1989, 1999).
- studies by J. D. Campbell (1894), C. Woodring (1961), M. Suther (1965), and N. Fruman (1972).
- J. L. Lowes, The Road to Xanadu (rev. ed. 1964).
- Brett, R. L., Coleridge (1973).
- The Friendship: Wordsworth and Coleridge (2007). ,
Related Credo Articles
Coleridge is essentially a European figure in his range of interests and activities, finding intellectual inspiration in the...
Samuel Taylor Coleridge (1772–1834), the youngest son of an Anglican vicar from Devon, was educated first at Christ's Hospital, where he received a t
Coleridge produced some dazzling poems and numerous compelling ones, part of a variegated though somewhat circumscribed body of work for someone who